Writing A Treatment For A TV Series You are a writer with great ideas. You’ve had a brilliant one which has to be for television – there’s a series here you know it, but the sheer weight of the story, the abundance of characters, the complexity of this world you are creating is overwhelming. There’s so much going on here: the characters, the world they live in, the story itself and are you actually saying something that people will want to engage with? How do you highlight the bits that are working in your tv idea and those that aren’t? Is there enough story? What are you actually trying to say? How do you control all these elements? I have worked with many, many writers throughout my career, as a Script Editor on EastEnders, amongst other great long runners and then as a Producer of Holby City and other popular series formats. Now, I work with writers one on one via my Script Consultancy. Writers come to me not only to help fix the script they’re stuck on, but ...
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